{"id":3130,"date":"2021-12-18T17:37:23","date_gmt":"2021-12-18T14:37:23","guid":{"rendered":"https:\/\/www.emedrese.com.tr\/blog\/?p=3130"},"modified":"2022-09-12T15:33:05","modified_gmt":"2022-09-12T12:33:05","slug":"mugnil-lebib-an-kutubil-eraib","status":"publish","type":"post","link":"https:\/\/www.emedrese.com.tr\/blog\/mugnil-lebib-an-kutubil-eraib\/","title":{"rendered":"Mu\u011fni\u2019l-Lebib an K\u00fct\u00fcbi\u2019l-E\u2019raib"},"content":{"rendered":"\n

Kitap \u0130smi:<\/strong> Mu\u011fni\u2019l-Lebib an K\u00fct\u00fcbi\u2019l-E\u2019raib<\/em>
M\u00fcellif:<\/strong> \u0130bni Hi\u015fam en-Nahvi (\u00f6. 761\/1360)<\/em><\/p><\/blockquote>\n\n\n\n

Genel Tan\u0131t\u0131m<\/strong><\/p>\n\n\n\n

Arap dil ve belagatinin otorite isimlerinden biri olan \u0130bni Hi\u015fam en-Nahvi\u2019nin kaleme alm\u0131\u015f oldu\u011fu Mu\u011fni\u2019l-Lebib sahan\u0131n en muteber kaynaklar\u0131ndan bir tanesi say\u0131lmaktad\u0131r.<\/p>\n\n\n\n

Katru\u2019n-Neda ve Bellu\u2019s-Seda ile Kavaid\u00fc\u2019l-\u0130rab eserlerinden sonra yaz\u0131lmas\u0131 hasebiyle hem m\u00fcellifin hem de dil bilginlerinin nazar\u0131nda daha g\u00fc\u00e7l\u00fc bir eser oldu\u011fu kabul edilmi\u015ftir. Fakat bu eserin de kendi i\u00e7inde bir hikayesi vard\u0131r.<\/p>\n\n\n\n

\u0130bni Hi\u015fam, Kavaid\u00fc\u2019l-\u0130rab eserinin ra\u011fbet g\u00f6rmesi neticesinde bu kitab\u0131 yazmaya karar vermi\u015ftir. Kavaid\u00fc\u2019l-\u0130rab haddi zat\u0131nda Mu\u011fni\u2019l-Lebib\u2019in sekiz b\u00f6l\u00fcm\u00fcnden d\u00f6rd\u00fcn\u00fc ihtiva etmektedir. \u0130bni Hi\u015fam bu eserini geni\u015fleterek Mu\u011fni\u2019l-Lebib\u2019i telif etmek istemi\u015ftir. Fakat Mekke\u2019den M\u0131s\u0131r\u2019a yapt\u0131\u011f\u0131 yolculu\u011fu esnas\u0131nda pek \u00e7ok kitab\u0131yla beraber bunu da kaybetmi\u015ftir. Bu sebeple Mekke\u2019ye d\u00f6nd\u00fc\u011f\u00fcnde daha muhalled ve derin bir eser yazmak istemi\u015f ard\u0131ndan Mu\u011fni\u2019l-Lebib ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Eserimiz bir mukaddime ve sekiz ana b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. \u00d6ncelikle Mu\u011fni\u2019l-Lebib\u2019i di\u011fer kitaplardan ay\u0131ran \u00f6zelli\u011fi sadece nahiv ya da sarf konular\u0131n\u0131 ele almamas\u0131d\u0131r. Bilakis sarf, nahiv, belagat ve hatta leh\u00e7e farkl\u0131l\u0131klar\u0131na da de\u011finmesidir.<\/p>\n\n\n\n

Tart\u0131\u015fmal\u0131 konular\u0131 g\u00fcndeme getirerek, selef nahivcilerin g\u00f6r\u00fc\u015flerini de aktararak meseleyi \u00e7\u00f6z\u00fcmlemektedir. Di\u011fer taraftan konular\u0131 zengin \u00f6rneklerle destekleyerek a\u00e7\u0131klamaktad\u0131r. Bolca referans kullanmaktad\u0131r. Kuran, hadis, \u015fiir, k\u0131raat ve kelam\u0131 kibar referanslar\u0131 aras\u0131nda say\u0131labilir. Ayr\u0131ca konu d\u0131\u015f\u0131na \u00e7\u0131karak faydal\u0131 bilgiler vermesi de eserin bir art\u0131s\u0131 say\u0131lmaktad\u0131r.<\/p>\n\n\n\n

\u0130bni Hi\u015fam bu eseri ile gramer yaz\u0131m\u0131nda yeni bir d\u00f6nem ba\u015flatm\u0131\u015ft\u0131r. Genel olarak bu t\u00fcr eserlerde \u0130bni Hi\u015fam\u2019a g\u00f6re sabit bir sistematik kullan\u0131lmaktad\u0131r. Amil-mamul-irab, merfuat-mensubat-mecrurat-meczumat \u015feklinde takip edilen d\u00fczen Mu\u011fni\u2019l-Lebib\u2019de kullan\u0131lmam\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u0130bni Hi\u015fam klasik yaz\u0131n\u0131n aksine, konular\u0131 m\u00fcfred ve terkip \u015feklinde iki k\u0131sma ay\u0131rm\u0131\u015f ve bu k\u0131s\u0131mlar\u0131 sekiz b\u00f6l\u00fcm alt\u0131nda i\u015flemi\u015ftir. M\u00fcellifin bu tutumu b\u00fcy\u00fck bir \u00e7evre taraf\u0131ndan takdirle kar\u015f\u0131lanm\u0131\u015ft\u0131r. \u0130bni Haldun eseri ve m\u00fcellifini takdir etmi\u015f, \u0130bn\u00fc\u2019d-Damani ise eser i\u00e7in bir \u015fiir kaleme alm\u0131\u015ft\u0131r. \u015eiirlere konu olacak kadar \u00f6nemli bir i\u015fi ba\u015faran \u0130bni Hi\u015fam kendisinden sonraki m\u00fcelliflere de ufuk ve ilham kayna\u011f\u0131 olmu\u015ftur.<\/p>\n\n\n\n

Sistemati\u011fi, i\u015fledi\u011fi konular, anlat\u0131m bi\u00e7imi, ihtilaflar\u0131 konu etmesi, zengin referans ve \u00f6rnek kullan\u0131m\u0131 ile Mu\u011fni\u2019l-Lebib, t\u0131pk\u0131 Kavaid\u00fc\u2019l-\u0130rab gibi talebelerin sevdi\u011fi bir eser olmu\u015ftur. Bu sebeple medrese m\u00fcfredatlar\u0131nda s\u0131k s\u0131k yer verilmi\u015ftir. Bug\u00fcn T\u00fcrkiye\u2019de de neredeyse t\u00fcm medrese usullerinde okutulan bir eser olma \u00f6zelli\u011fine sahiptir.<\/p>\n\n\n\n

Bu makaleyi okuyanlar i\u00e7in tavsiye yaz\u0131: “er-Risalet\u00fc\u2019l-Ku\u015feyriyye” <\/a><\/strong><\/p><\/blockquote>\n\n\n\n

Referanslar<\/h3>\n\n\n\n

[1]<\/a>  https:\/\/www.emedrese.com.tr\/blog\/arapcaya-dair-hersey\/<\/a>
[2]<\/a> https:\/\/islamansiklopedisi.org.tr\/ibn-hisam-en-nahvi<\/a>
[3]<\/a> https:\/\/islamansiklopedisi.org.tr\/mugnil-lebib<\/a>
[4]<\/a> https:\/\/islamansiklopedisi.org.tr\/katrun-neda<\/a>
[5]<\/a> https:\/\/islamansiklopedisi.org.tr\/sarf–arap-dili<\/a>
[6]<\/a> https:\/\/islamansiklopedisi.org.tr\/nahiv<\/a>
[7]<\/a> https:\/\/islamansiklopedisi.org.tr\/belagat<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kitap \u0130smi: Mu\u011fni\u2019l-Lebib an K\u00fct\u00fcbi\u2019l-E\u2019raibM\u00fcellif: \u0130bni Hi\u015fam en-Nahvi (\u00f6. 761\/1360) Genel Tan\u0131t\u0131m Arap dil ve belagatinin otorite isimlerinden biri olan \u0130bni Hi\u015fam en-Nahvi\u2019nin kaleme alm\u0131\u015f oldu\u011fu Mu\u011fni\u2019l-Lebib sahan\u0131n en muteber kaynaklar\u0131ndan bir tanesi say\u0131lmaktad\u0131r. Katru\u2019n-Neda ve Bellu\u2019s-Seda ile Kavaid\u00fc\u2019l-\u0130rab eserlerinden sonra yaz\u0131lmas\u0131 hasebiyle hem m\u00fcellifin hem de dil bilginlerinin nazar\u0131nda daha g\u00fc\u00e7l\u00fc bir eser oldu\u011fu […]<\/p>\n","protected":false},"author":1,"featured_media":3402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[964],"tags":[330,853],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/posts\/3130"}],"collection":[{"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/comments?post=3130"}],"version-history":[{"count":3,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/posts\/3130\/revisions"}],"predecessor-version":[{"id":3287,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/posts\/3130\/revisions\/3287"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/media\/3402"}],"wp:attachment":[{"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/media?parent=3130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/categories?post=3130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emedrese.com.tr\/blog\/wp-json\/wp\/v2\/tags?post=3130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}